Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, June 14, 2019

Listening to music may ease cancer patients' pain

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(Reuters Health) - Listening to music at home may reduce cancer patients’ pain and fatigue and ease symptoms like loss of appetite and difficulty concentrating, according to research in Taiwan.

In the study, breast cancer patients assigned to 30 minutes of music listening five times a week had “noticeably” reduced side effects of cancer and its treatment over 24 weeks, researchers report in the European Journal of Cancer Care.

The patients said the music helped their physical and psychological wellbeing because it distanced them from negative thoughts about cancer.

“Music therapy is convenient, does not involve invasive procedures, and can easily be used by people in the comfort of their homes,” said senior study author Kuei-Ru Chou of Taipei Medical University.

“Home-based music interventions can also be used with no cost,” Chou told Reuters Health by email. “Healthcare services have become expensive in the present time.”

The researchers recruited 60 breast cancer patients and randomly assigned half of them to a group that would listen to music at home on an MP3 player provided by the study team with a selection of classical, parlor, popular, Taiwanese and religious music to choose from. The other patients were also given a player and the same instructions about how often to listen, but their selections were various types of ambient music, mainly consisting of environmental sounds, which research has shown does little to reduce pain or symptoms, the study team notes.

Before the women had surgery, and after six, 12 and 24 weeks of music listening, all patients rated the severity of 25 physical symptoms on a five-point scale, as well as rating five categories of fatigue on a separate five-point scale, and the level of pain they felt on a 100-point scale.

The average symptom severity scores of the music therapy group had dropped by five points at the six-week assessment, seven points at 12 weeks and nearly nine points after 24 weeks. Pain scores and overall fatigue scores fell at each assessment as well.

For those listening to music, physical and mental fatigue had also dropped at six weeks but not later.

In contrast, pain and symptom severity scores in the control group increased and remained higher than at the start of the trial.

Based on the results, music therapy may not relieve long-term physical and mental fatigue, the study authors caution. And future studies should use objective measures of pain and fatigue, in addition to the subjective measures used in this study, Chou said.

The researchers are also interested in learning how and why music therapy reduces symptoms and pain. Because listening to music promotes endorphins, dopamine and serotonin in the brain, the chemicals may spark joy and positive emotions that distract patients from the negative emotions, the study authors speculate.

Music could affect functions of the cardiovascular, respiratory, muscular, skeletal, nervous and metabolic systems as well, relieving muscle tension and pain, they add.

“From the neurophysiological point of view,” said Tereza Alcantara-Silva of the Federal University of Goias in Brazil, music-evoked emotions can modulate activity in a variety of brain areas.

“Music plays a major role in self-regulation of emotional contexts,” said Alcantara-Silva, who wasn’t involved in the study, by email. “Music therapy can bring several benefits to cancer patients, helping them to find ways to deal with stress, fear, and loneliness.”

SOURCE: bit.ly/2Idu5cY European Journal of Cancer Care, online June 5, 2019.

Our Standards:The Thomson Reuters Trust Principles.


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Country star Kenny Rogers dismisses 'wild misinformation' about his health

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FILE PHOTO: Kenny Rogers poses backstage after accepting the Willie Nelson Lifetime Achievement award at the 47th Country Music Association Awards in Nashville, Tennessee Nov . 6, 2013. REUTERS/Eric Henderson/File Photo

(This May 31 story corrects date in penultimate paragraph to 1983 from 1982)

LOS ANGELES (Reuters) - Country singer Kenny Rogers on Friday dismissed “wild misinformation and speculation” about his health and said he planned on “sticking around” for years to come.

A statement issued on his behalf by his representatives was published after a U.S. tabloid report claimed the “Lucille” singer had been diagnosed with bladder cancer and was dying.

Friday’s statement said Rogers, 80, was recently admitted to a hospital in Georgia and treated for dehydration.

“He will remain there to complete some physical therapy to get his strength back prior to discharge ... and can assure everyone he plans on sticking around through the years to come,” it added.

Rogers embarked on a world farewell tour in 2016 but in April 2018 he canceled the last few shows citing “a series of health challenges.”

Rogers, a three-time Grammy winner and a Country Music Hall of Famer, is best known for songs like “The Gambler” and his 1983 duet with Dolly Parton “Islands in the Stream.”

After beginning his career in the 1950s with a jazz group, Rogers went solo in the 1970s and released his break-through single “Lucille” in 1977.

Reporting by Jill Serjeant in Los Angeles; Editing by James Dalgleish



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Thursday, June 13, 2019

Leonard Cohen's love letters to Marianne fetch $876,000 at auction

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FILE PHOTO: Canadian singer-songwriter Leonard Cohen performs during the first night of the 47th Montreux Jazz Festival in Montreux, Switzerland on July 4, 2013. REUTERS/Valentin Flauraud/File Photo

LOS ANGELES (Reuters) - A collection of more than 50 love letters written by Canadian singer-songwriter Leonard Cohen to the woman who inspired “So Long, Marianne” has sold for $876,000, with many going for more than five times their pre-sale estimates, Christie’s auction house said on Thursday.

The archive of letters from Cohen to Marianne Ihlen chronicles their 1960s love affair and the blossoming of Cohen’s career from struggling poet to famous musician.

The top letter, in which Cohen wrote in December 1960 about being “alone with the vast dictionaries of language,” fetched $56,250 compared to an original high estimate of $10,000.

A 1964 letter, in which Cohen wrote “I am famous but empty,” went for $35,000, Christie’s said.

Cohen and the Norwegian-born Ihlen met on the Greek island of Hydra in 1960 and she became the inspiration for several of his best-known songs, including “Bird on a Wire,” “Hey, That’s No Way to Say Goodbye,” and the 1967 track “So Long, Marianne.”

Ihlen died of leukemia in Oslo in July 2016 at age 81. Cohen, who was also suffering from leukemia, died in November 2016 at the age of 82.

The letters were sold by Ihlen’s family. The buyers were not revealed.

The top lot in the five-day online auction was an Italian bronze bell dating from the 15th or 16th century that hung in the Hydra home that Cohen and Ihlen once shared. It realized $81,250 compared to a pre-sale estimate of up to $12,000.

The bell is believed to have inspired the lines, “There is a crack, a crack in everything” in Cohen’s 1992 release “Anthem.”

Reporting by Jill Serjeant; Editing by Leslie Adler



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Robbie Williams takes stake in college, sings mentoring's praises

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LONDON (Reuters) - Pop singer Robbie Williams, a judge on Britain’s “The X Factor” television show last year, is taking a stake in a performing arts college as he looks to mentor more “jazz hand people” like him.

The singer of “Angels” and “Let Me Entertain You” will have a 20% stake in Liverpool’s LMA, which offers degrees in music, performing arts and games design.

Williams, who hails from Stoke-on-Trent, a city 56 miles (90 km) southeast of Liverpool, mentored a choir from LMA on “The X Factor” last year and said he really enjoyed the experience.

“I was looking into the eyes of all the students and I was like ‘They are me. That’s who I was and who I am’, you know, we sort of ‘jazz hand people’,” the 45-year-old singer told a news conference.

“It’s just that energy that I wanted more of and also I don’t mind saying I was surprised I was actually quite good at mentoring. It’s something that I want to carry on, in whatever capacity that is. I loved it.”

LMA’s plans include opening a new London campus next year.

Williams, a member of popular 1990s boyband Take That, will help drive LMA’s expansion in Britain and abroad.

“I’ll find out more as we go along. But I want to mentor. I want to be there. I want to find out how to teach ... I have a bit of experience in the business.”

Williams, whose wife Ayda Field was also a judge on “The X Factor” alongside series creator Simon Cowell, is working on an album and will not return to the show this year.

Slideshow (2 Images)

“I’m going to be all over the place promoting that. We wanted it desperately to work with ‘The X Factor’ but it just wasn’t (to be),” he said.

“It’s a to-be-continued because myself and Simon are good friends, our family are good friends, the kids hang out all of the time and I think it’s just a pause on the relationship,” Williams said.

“This year I’ve got to go and promote my album to death. So that’s what I’ll be doing.”

Reporting by Hanna Rantala; writing by Marie-Louise Gumuchian; editing by Jason Neely



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Attacking Your Rival's Parents When Beefing Is Foolishness - Obrafour

Veteran Ghanaian rapper, Obrafour has advised artists who engage their colleagues in beefs not to extend it beyond the showbiz circles.


Obrafour who is believed to be one of the greatest Ghanaian rapper of all time said it’s unhealthy to diss people’s mothers just because you have a score to settle with a fellow musician.


Obrafour further said the motive behind the kind of beefs they did back in the days was to boost sales but not what has permeated the industry lately.


When George Quaye of Joy FM asked him his opinion about the current beefs in the industry, the rapper said:


“I don’t subscribe to it at all, talking about people’s mothers who have nothing to do with their music is a no-no. These are people who have nothing to do with the music, it is just sad “


“Reggie Rockstone in one of his songs says he was born with a microphone in his hands…the jab comes as no one is born with a microphone in their hands. it was just beautiful,”.


Obrafuor added that they never took their beef personal, they did it only for commercial purpose.

Wednesday, June 12, 2019

Musicians lament reported loss of recordings in decade-old Universal fire

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LOS ANGELES (Reuters) - Several big-name musicians voiced dismay on Wednesday that some of their recordings may have been among thousands of original masters that The New York Times Magazine reported were lost in the Universal Studios Hollywood backlot fire of 2008.

FILE PHOTO: A fire truck and firefighters are seen at Gate 2 of Universal Studios as smoke rises (background) from a fire that rages out of control at the backlot filled with movie sets in Universal City, California June 1, 2008. REUTERS/Fred Prouser/File Photo

The blaze, which gutted a popular “King Kong” attraction and a swath of the studio’s fabled outdoor lot, also destroyed nearly all the master recordings stored there in a Universal Music Group archive, a loss that has long gone undisclosed, the magazine reported on Tuesday.

Universal Music estimated in a confidential 2009 report that the loss encompassed about 500,000 song titles, the article said.

In a statement on Wednesday, the company called the incident “deeply unfortunate,” but said the Times story contained “numerous inaccuracies, misleading statements, contradictions and fundamental misunderstandings of the scope of the incident.”

The extent of the loss, documented in litigation and company records the article cited, was largely kept from the public eye through a concerted effort on the part of the music label, the magazine said.

Many of the artists whose own material was reported to have been destroyed expressed shock.

“Oh my Lord ... this makes me sick to my stomach,” singer-songwriter Sheryl Crow wrote on Twitter, posted with a link to the article. “And shame on those involved in the coverup.”

The rock band R.E.M said in a Twitter statement that concerned fans were making inquiries. “We are trying to get good information to find out what happened, and the effect on the band’s music, if any,” the group tweeted.

Original sound recordings of many of the greatest names in popular music since the 1940s - from Louis Armstrong and Judy Garland to Tom Petty and 50 Cent - are believed to have gone up in smoke in what the article described as “the biggest disaster in the history of the music business.”

Master recordings are typically owned and controlled by the music labels for the artists in their catalog. But they are seen as vital to musicians’ legacy as they are original, one-of-a-kind recordings considered the truest representation of sounds captured in the studio.

Masters are the source material for all reproductions, including re-releases and remixes, made for distribution, whether on digital medium or vinyl.

Universal Music Group, now owned by French media conglomerate Vivendi, said the fire “never affected the availability of the commercially released music nor impacted artists’ compensation.”

The New York Times article “ignores the tens of thousands of back catalog recordings that we have already issued in recent years, including master-quality, high-resolution, audiophile versions of many records that the story claims were ‘destroyed,’” Universal Music said.

Irving Azoff, manager for the group Steely Dan, said in a statement that the musicians had “been aware of ‘missing’ original Steely Dan tapes for a long time now.”

“We’ve never been given a plausible explanation,” Azoff said. “Maybe they burned up in the big fire. In any case, it’s certainly a lost treasure.”

Krist Novoselic, a founding member of the 1990s grunge band Nirvana, responded to a fan on Twitter asking whether the Times article meant that the masters for the group’s landmark “Nevermind” album were gone. He wrote: “I think they are gone forever.”

Reporting by Lisa Richwine and Steve Gorman in Los Angeles; Editing by Leslie Adler



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I Saved Ghanaian Rap Music 4 Years Ago - Medikal Brags

Vodafone Ghana Music Awards 2019 best rapper Medikal is claiming he saved Ghanaian rap music about 4 years ago.


Medikal after winning the best rapper award seem to be bragging too much and some fans are not cool with it.


On his Twitter today he posted;




"4 years ago I saved Ghanaian rap music from dying and I promise to keep it alive".





Is Medikal even the best rapper in Ghana at the moment ?

Tuesday, June 11, 2019

Singer Steve Lawrence, of 'Steve and Eydie' duo, says he has Alzheimer's

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FILE PHOTO: Singers Steve Lawrence and Edyie Gorme pose as they arrive at " An Evening with Larry Gelbart" July 11 at The Museum of Television & Radio in Beverly Hills. Gelbart was honored at the musuem for his contributions to the medium of television, which include writing credits on " The Bob Hope Show," " M*A*S*H," and " Caesar's Hour./File Photo

LOS ANGELES (Reuters) - Steve Lawrence, the 1960s-era singer and comedian who performed at nightclubs and on television with his wife Eydie Gorme, said on Tuesday he has been diagnosed with Alzheimer’s disease.

In a letter released by his publicist, the 83-year-old Lawrence said the disease was in its early stages and he was “being treated with medications under the supervision of some of the finest doctors in the field.”

“Fortunately, they have managed to slow down this horrific process,” he said.

Lawrence married Gorme in 1957 and together they became a staple on American late-night and variety television programs. Their playful husband-and-wife banter was a distinctive element of their performances over the decades.

“We Got Us,” the first album from the duo that came to be known as Steve & Eydie, won a Grammy in 1960. Gorme died in 2013.

Lawrence said he was “living my life, going out in public and trying to spend as much time as possible with my family and friends while I am still able to engage and enjoy.”

“I ask for your prayers, your good wishes and implore you to find the joy every day, because what I feel is gratitude, love and hope — nothing more and nothing less, and I hope you can find the same,” he added.

Reporting by Lisa Richwine in Los Angeles; Editing by Matthew Lewis



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Monday, June 10, 2019

U.S. appeals court to revisit Led Zeppelin 'Stairway' decision

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(Reuters) - A U.S. appeals court decided on Monday to review its recent decision regarding whether Led Zeppelin stole the opening guitar riff for its 1971 anthem “Stairway to Heaven,” but the plaintiff’s lawyer still expects a retrial to go forward.

FILE PHOTO - Members of British rock band Led Zeppelin (L-R) bass player John Paul Jones, lead singer Robert Plant, guitarist Jimmy Page and drummer Jason Bonham, who replaces the band's original drummer his father John Bonham, arrive for the premiere of their film "Celebration Day", in New York October 9, 2012. REUTERS/Carlo Allegri

The rock band, lead singer Robert Plant and guitarist Jimmy Page had been accused of copyright infringement for stealing the riff from “Taurus,” a song written in 1967 by the guitarist Randy Wolfe of the lesser-known band Spirit.

A jury in Los Angeles ruled in favor of Led Zeppelin in June 2016, but the 9th U.S. Circuit Court of Appeals ruled 3-0 last September that errors by the trial judge required a new trial.

Francis Malofiy, a lawyer for the trustee representing Wolfe’s estate, said the 11-judge appeals court panel that will reconsider the case under Monday’s order will focus on whether to broaden copyright protection for “Taurus.”

He said the three-judge panel erred in deciding that a sheet music “deposit copy” of “Taurus,” rather than sound recordings by Spirit, defined the scope of what could be copyrighted under the federal 1909 Copyright Act.

“It deals with an iconic song that defined a generation,” said Malofiy, a lawyer at Francis Alexander. He said the trustee, Michael Skidmore, will get a new trial “no matter what.”

A lawyer for Led Zeppelin had no immediate comment.

Led Zeppelin had sought a broader rehearing by the appeals court. Malofiy said the court never asked him to respond, as would be required under its rules before granting the band’s request.

The lawsuit is among the music industry’s most closely watched copyright cases, potentially exposing Plant and Page to millions of dollars of damages. Wolfe drowned in 1997.

The case is Skidmore v Led Zeppelin et al, 9th U.S. Circuit Court of Appeals, No. 16-56057.

Reporting by Jonathan Stempel in New York; Editing by Dan Grebler



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Woodstock 50 loses NY site for anniversary music festival

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(Reuters) - The troubled Woodstock 50 music festival on Monday lost the site of a planned anniversary event in August, the latest setback for the weekend marking the famed 1969 “peace and music” festival, but organizers said they were pursuing a new location.

The Aug. 16-19 festival was to have taken place at the Watkins Glen motor racing venue in upstate New York with a line-up including Jay-Z and Miley Cyrus.

On Monday, Watkins Glen said in a statement it had “terminated the site license for Woodstock pursuant to provisions of the contract. As such, (it) will not be hosting the Woodstock 50 Festival,” the site owners said in a statement.

Watkins Glen did not say why it had decided to pull out.

Gregory Peck, one of the organizers of Woodstock 50, said the team behind the festival was “in discussions with another venue” to host the event and looked “forward to sharing the new location when tickets go on sale in the coming weeks.”

Woodstock 50 is backed by the co-producer of the original 1969 Woodstock festival, which was billed as “three days of peace and music” and is regarded as one of the pivotal moments in music history.

The anniversary festival was thrown into chaos in April after the lead Japanese investors abruptly pulled out. It has been plagued with other problems, including obtaining permits and arranging security and sanitation.

Tickets for the festival, expected to attract about 60,000 people, have not gone on sale.

Organizers said last month they had obtained new funding and expressed confidence that the show would go on.

Woodstock 50 announced in March that more than 80 musical acts, including 1969 festival veterans John Fogerty, Canned Heat and Santana, would take part. Some 100,000 fans, including campers, were originally expected to attend, but that number was later reduced to 60,000.

The nonprofit Bethel Woods Center for the Arts, the current owner of the field where the 1969 Woodstock festival took place, has also scaled back plans for a three-day anniversary event. It said in February it will instead host separate concerts by Ringo Starr, Santana and the Doobie Brothers.

Watkins Glen has a larger crowd capacity and is some 150 miles (240 km) distant from Bethel and about 250 miles (400 km) north of New York City.

Reporting by Jill Serjeant; editing by Tom Brown, Cynthia Osterman and Dan Grebler



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Scorsese gets playful with Dylan in 'Rolling Thunder Revue' film

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LOS ANGELES (Reuters) - Director Martin Scorsese has made his second film about Bob Dylan, and this time the filmmaker has taken a cue from the elusive rock star to weave a fantastical mix of facts and imagination.

“Rolling Thunder Revue: A Bob Dylan Story,” to be released on Netflix and in limited movie theaters on Wednesday, depicts one of the singer’s strangest concert tours - his 1975 U.S. road trip that had the playfulness of an old-time medicine show and a camera crew in tow.

The Rolling Thunder tour, with an eclectic troupe of performers that included folk singers Joni Mitchell, Joan Baez and Roger McGuinn, as well as poet Allen Ginsberg and glam rocker Mick Ronson, played in small venues with little advance notice, despite Dylan’s status at the time as a major star.

“It wasn’t a success, not if you measure success in terms of profit. But it was an adventure,” Dylan says in Scorsese’s film.

Dylan shaped some of the documentary footage into the 1978 film “Renaldo and Clara,” blending it with improvised scenes. It bombed with critics and audiences and was his last attempt at directing.

Scorsese’s film, taken from over 100 hours of footage shot in 1975, echoes the same spirit, mixing commentary from Dylan and Baez with interviews with Sharon Stone and other actors who spin imaginary tales about their supposed involvement with the tour.

“We are not calling it a documentary,” said Margaret Bodde, one of the producers.

Scorsese took a different approach in his previous film about Dylan, the 2005 “No Direction Home” which was an unembellished documentary about the singer’s 1960s transformation from a college dropout in New York City’s folk scene to an international rock star.

The new film shows Dylan in 1975 performing songs such as “Mr. Tambourine Man” and “Knockin’ on Heaven’s Door” in white face paint with wild-eyed intensity.

“There’s just a certain kind of connection to the audience that he seemed to have on this tour that I think will blow everyone’s minds,” Bodde said.

The movie’s fictional elements “really grew out of the spirit of the tour,” she said. “Because Bob looks so different on that tour and he’s kind of an actor.”

One of the invented characters in the film is an ornery Dutch filmmaker, played by Bette Midler’s husband Martin von Haselberg, who is presented as a filmmaker who tried to capture the essence of the tour in 1975.

In a mock interview, the accented Dutchman complains that Dylan never gave him straight answers.

FILE PHOTO - 71st Cannes Film Festival – Photocall as part of the Quinzaine des Realisateurs - Cannes, France May 9, 2018. Director Martin Scorsese poses. REUTERS/Regis Duvignau

Scorsese, an Oscar-winning director, largely left out improvised scenes between members of the tour that Dylan used in “Renaldo and Clara.”

“The tour itself, not that movie, that’s what we were interested in,” said David Tedeschi, one of the editors on the Scorsese film.

But one scene, an encounter between Dylan and Baez bantering at a bar, made the cut. Baez wears a wedding dress and the two former lovers trade quips about why they each married someone else.

Reporting by Alex Dobuzinskis, editing by Jill Serjeant and Dan Grebler



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Without pop culture contenders, Tony awards audience slumps to all-time low

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FILE PHOTO: 73rd Annual Tony Awards - Photo Room - New York, U.S., 09/06/2019 - The "Hadestown" cast and crew pose backstage with their Best Musical award. REUTERS/Andrew Kelly/File Photo

LOS ANGELES (Reuters) - The television audience for Broadway theater’s Tony awards slumped to an all-time low in the absence of pop culture juggernauts like “Harry Potter” and “Hamilton.”

Nielsen data on Monday showed that just 5.5 million Americans watched Sunday’s ceremony broadcast on CBS from New York, down 20 percent from 2018 when “Harry Potter and the Cursed Child” took home six Tonys and rocker Bruce Springsteen won a special award for his sold-out one man show.

It was the first time the television audience for the annual awards show that celebrates the best of theater fell below 6 million.

Sunday’s TV audience also marked a sharp drop from 2017 when viewership reached a 15-year high, fueled by the success of rap musical “Hamilton.”

In Sunday’s ceremony, “Hadestown,” about a young couple’s dark trek to the underworld, took home a leading eight awards, including best new musical. The award show was hosted by late-night talk show host James Corden.

Other winners included best play “The Ferryman,” set around the sectarian struggles in 1980s Northern Ireland, and Bryan Cranston, who played the unhinged TV anchor in the stage version of the 1976 film “Network.”

The new low in the television audience marked a sharp contrast with box office receipts on Broadway, which hit a record $1.8 billion this past season.

Ticket sales for “Hadestown” increased by more than 1,300% on Sunday thanks to the Tony exposure, online booking platform TodayTix.com said.

Sunday’s show took place against stiff competition from the National Hockey League’s Stanley Cup on rival NBC, which drew 6.1 million viewers, and the much anticipated season 2 premiere on HBO of female-dominated drama “Big Little Lies” starring Reese Witherspoon, Meryl Streep and Nicole Kidman. Audience data for “Big Little Lies” was not available on Monday.

Reporting by Jill Serjeant in Los Angeles; Editing by James Dalgleish and Matthew Lewis



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Rapper Bushwick Bill dies at 52 after four-month battle with cancer

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LOS ANGELES (Reuters) - Rapper Bushwick Bill, best known for his work with the Houston-based trio Geto Boys, has died after a four-month battle with pancreatic cancer, Billboard magazine reported on Monday.

The 52-year-old recording artist, publicly acknowledged in a video statement posted on May 1 by the celebrity website TMZ.com that he had been diagnosed with stage-4 pancreatic cancer in February.

Citing a statement from his publicist, Billboard said Bill died on Sunday evening at a Colorado hospital.

“His family appreciates all of the prayers and support and are asking for privacy at this time,” the statement said.

Reuters was unable to reach a representative for Bill to confirm the report.

In his May 1 video message, Bill said he wanted to record some new music before he died to provide additional “residual income” for his loved ones.

A video posted on Bushwick’s Instagram page over the weekend showed the rapper in his hospital bed, saying he had been hospitalized since May 24 with pneumonia attributed to chemotherapy he had been undergoing for his cancer.

Born with dwarfism in Jamaica as Richard Shaw, the diminutive performer started out as a warmup dance act for the original Geto Boys in 1986, performing as Little Billy, according to an Allmusic.com biography posted on the rap group’s website.

He joined a reconstituted lineup of the group as a rap singer in 1988 under the new stage name Bushwick Bill. The group’s debut album that year, “Making Trouble,” was initially blocked from release over a controversial track dealing with necrophilia and murder.

Bill made headlines again in 1991 when he accidentally shot himself during an argument with his girlfriend, losing his right eye. A photo of him being wheeled through a hospital hall on a gurney by his bandmates, Willie D and Scarface, was used as the cover art for the group’s 1991 second album, “We Can’t Be Stopped,” an LP that ultimately went platinum.

The shooting incident, which Bill admitted at the time was fueled by PCP and alcohol, was the subject of his single “Ever So Clear,” off his 1992 solo album “Little Big Man.”

The Geto Boys broke up in 1994, but regrouped a year later for a new album “The Resurrection.” Bill teamed up again with Willie D and Scarface on the 2005 reunion album “The Foundation.”  

Over the years, Bill appeared on seven of the Geto Boys’ eight albums in a collaboration whose brand of provocatively violent and sexist imagery influenced southern hip-hop and rap’s “horrorcore” genre, according to Rolling Stone magazine.

Allmusic reported that the trio had returned to the studio to record another album together after a 10-year hiatus.

Reporting by Steve Gorman in Los Angeles, additional reporting by Peter Szekely in New York; Editing by Susan Thomas



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Saturday, June 8, 2019

BREAKING NEWS: President Nana Akufo-Addo Bans Dancehall Music In Ghana

The president of Ghana, Nana Addo Dankwa Akufo-Addo has banned danchall music in Ghana today, June 8, 2019.


According to the information that massiveupdates.com is having, the president wasn't happy with the incident at the 20th edition of Vodafone Ghana Music Awards and has to ban the genre to prevent any future disaster.


Two great dancehall artistes in Ghana, Stonebwoy and Shatta Wale who have finally smoked the piece wanted to tear each other part after Stonebwoy was announced as best dancehall artist.


This misunderstanding pushed Stonebwoy to pull a gun as self defense and that distracted the whole show.


After the incident the two rivals(Stonebwoy and Shatta Wale) have been united with the help of one Dr Kofi Abban and Nana Aba Anamoah but that couldn't convince president Nana Akufo-Addo so he has banned the danchall genre in Ghana until further notice.

Tuesday, June 4, 2019

What Are Friends For? You can Chop Her - Shatta Wale Whispers To Stonebwoy

The peace talk between Shatta Wale and Stonebwoy is now over. The two are set to unite and push the music agenda in Ghana to the next level.



However, people were wondering the presence of Music star, Wendy Shay at the venue. Some believe that, she went for photoshoot. Some also believe that, she went to accompany her boyfriend, Shatta to the Wale.

Interestingly, during the talk, Shatta Wale and Stonebwoy were seen whispering and a kiss from Shatta Wale. We were wondering why that move so our journalist, Kofi Yehowah went over to ask.

It was later confirmed from a close associate that Wendy Shay was part of the deal. But as to what role she will play is yet to be seen.

Rihanna Beats Beyonce, Celine Dion To Become The Richest Female Artiste In The World

Rihanna has been officially declared as the richest female artiste in the world after beating Madonna and Beyoncé.

According to Forbes, the Barbadian singer’s worth at around $600 million, putting RiRi ahead of her fellow music superstars like Madonna ($570 million), Celine Dion ($450 million) and Beyoncé ($400 million).

Rihanna however didn’t top the list with music sales but rather with fashion, as her Fenty Beauty launched in 2017 has reportedly racked up $570 million in sales.

Fenty Beauty is a partnership with French luxury goods giant LVMH. with the business worth an estimated $3 billion for LVMH.

Rihanna also co-owns the Savage X Fenty lingerie line with L.A.-based fashion firm TechStyle Fashion Group and has an upcoming clothing line with LVMH, Fenty, which will produce high-end clothes, shoes, accessories and jewelry; the latter, which launched online in May, will includes sizes up to 14, continuing the singer’s push for inclusiveness evidenced in the Fenty Beauty product line.

Rihanna looks to get back to music, as reports are that she is working on her next album, which will be a reggae themed one.

Monday, June 3, 2019

I Don’t Care Whether People Say I’m A Fraudster-Medikal

The issue of many Ghanaian celebrities being tagged as ‘scammers’ has over some time now been a topic of great interest.

Many young hard-working artists who tend to make a blow and start to live a lavish life is either attributed to ‘scam’ or other dubious means of earning income as in the case of rapper AMG Medikal.

The above-mentioned budding rapper who won 2019 VGMAs Rapper Of The Year has washed off his hands on anything scamming as Ghanaians have been made to believe. Remember that AMG Medikal has been accused times without number of being a Sakawa boy or otherwise known as a fraudster.

Consequently, he has tried on many occasions to tell the world that his money is legit but this Sakawa question keeps coming. According to Medikal, he’s now tired of explaining himself that he’s not a Sakawa boy, and so people should say whatever they want to say, and that it’s all the blessings of God.

On Okay FM with Abeiku Santana, when asked again whether it’s true he made his money through Sakawa, he said,

“I’m tired of even answering this question. Yoo, I don’t care whether people say I do Sakawa or not, i’m happy, it’s God who’s blessed me, and I can’t do anything about it, it’s all the blessing of God that I have money.”

On whether it’s music that made him got all the money and has bought cars and bought houses, he said; “God has blessed me at an early age, i have started making money before i started music”.

Thursday, May 30, 2019

Wow! Bola Ray Bodly Calls Obrafour A Goat

Chief Executive Officer(CEO) of EIB Network, Bola Ray born Nathan Kwabena Anokye Adisi has hailed veteran Ghanaian rapper Obrafour as he commemorated 20 years of his debut album release “Pae Mu Ka”
Obrafour who has been instrumental in the growth of the hiplife genre won several plaudits from industry players,celebrities and music enthusiasts.


Bola Ray took to his social media handles to eulogize the Hiplife legend for his part he played in the growth of Hiplife and Ghana music as a whole.


The renowned business mogul referred to Obrafour as the Greatest Of All Times (G.O.A.T) in the history of hiplife music


Bola Ray shared an old photo of Obrafour with the caption:


“PaeMuKaAt20. An important part of a necessary struggle that became known as Hiplife; fed many homes and gave a trade to thousands. Obrafour remains a G.O.A.T act. Forever KING! @iamobrafour”


https://www.instagram.com/p/ByDOu_cgEIo/?igshid=1b7jtp8fkkkc4


Source: browngh.com

Wednesday, May 29, 2019

Patapaa Only Talks, He Is Not A Musician - Zapp Mallet

Veteran music producer Zapp Mallet has revealed Patapaa does not do music but only talks.


In a recent interview with Kobby Kyei, he unequivocally stated that the Skopatumana crooner was not a musician.


He was further interrogated to ascertain the exact reasons why Patapaa wasn’t a musician in his opinion, he replied;


“Patapaa’s songs don’t even have a melody and rhythm. That guy doesn’t do music, he only talks. I don’t like his song at all. he’s not a musician".

Quophimens Musiq New Signee LeFlyyy Set To Release First Single "Spoil Dere"

Quophimens Musiq has added Leflyyy, a new signee to the label who comes off as the second signee after eShun.


Festus Nana Aidoo a.k.a. LeFlyyy is a 17 year old gifted Ghanaian rapper from Ashongman inside Ghana.


Leflyyy spends sometime in Ghana and Switzerland and his music has influences from both countries.


According to Leflyyy, he is giving out something new to his fans and he believes that his sound will grow on many Africans worldwide.


“It’s an afro dance and I am excited that I am trying something new for my first official single on my new label.” Leflyyy stated.


When asked how he feels about his record label he said; “I have high hopes in my team, looking at how they have been able to manage my label mate eShun to stardom”.


LeFlyyy will be releasing his first single on this Thursday, 30th May.


He promises to take the music scene by storm with his first song on the label titled "Spoil dere".


The song is produced by B2 of DopeNation fame and mixed and mastered by Konfem of Beehive Studios.


Music lovers worldwide should watch out for this new promising artiste who has the potential of rubbing shoulders with the big acts within someone months.


Follow him on all social media platforms on @leflyyyafrica.