Worshippers in safety hats attend Notre-Dame's first mass since fire

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PARIS (Reuters) - A small congregation in white hard hats attended mass at Notre-Dame Cathedral in Paris on Saturday, the first service since fire devastated the Gothic landmark two months ago.

The Archbishop of Paris Michel Aupetit leads the first mass in a side chapel two months to the day after a devastating fire engulfed the Notre-Dame de Paris cathedral, in Paris, France June 15, 2019. Karine Perret/Pool via REUTERS

Church leaders are keen to show life goes on at the cathedral as donations for rebuilding trickle in.

Less than 10% of the 850 million euros ($953 million) pledged by billionaires, business leaders and others has been received so far, the French government said.

The mass, which commemorates the cathedral’s consecration as a place of worship, was held in a side-chapel left undamaged by the April 15 fire, with attendance limited to about 30 people wearing protective headgear.

Priests in ceremonial garb of white robes and yellow stoles briefly parted with their hard hats during the communion.

“It is with much emotion that we are here to celebrate the consecration of the cathedral,” said Paris’s archbishop Michel Aupetit, who led the service.

“It is a message of hope and thanks to all those who were moved by what happened to this cathedral,” he added, acknowledging afterwards it was “a bit strange” to celebrate mass with a helmet.

The service was broadcast live on a religious TV channel that showed poignant images of the blue sky through the collapsed roof and the black rubble still clogging the building.

On Friday, France’s Culture Minister Franck Riester said the cathedral was still in a fragile state, especially the vault.

The blaze caused the roof and spire of the architectural masterpiece to collapse, triggering worldwide sadness.

Among those who promised to donate to the rebuilding effort were luxury goods tycoons Bernard Arnault and François-Henri Pinault.

“There could be people who promised to donate then in the end did not,” Riester told France 2 television, without giving further details. “But more importantly, and this is normal, the donations will be paid as restoration work progresses.”

President Emmanuel Macron has set a target of five years for restoring the cathedral, though Riester was more cautious.

“The president was right to give a target, an ambition,” he said. “But obviously what matters in the end is the quality of the work. So it does not mean that work will be totally finished in exactly five years.”

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Editing by Helen Popper and Mike Harrison

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Worshippers in hard hats to attend Notre-Dame's first mass since fire

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PARIS (Reuters) - A small congregation wearing hard hats will attend mass at Notre-Dame Cathedral in Paris on Saturday, the first service to be held since fire devastated the Gothic landmark two months ago.

FILE PHOTO: A picture shows bells gathered during preliminary work at the Notre-Dame Cathedral one month after it sustained major fire damage in Paris, France May 15, 2019. Philippe Lopez/Pool via REUTERS

Church leaders are keen to show life goes on at the cathedral as donations to help rebuild it trickle in. Less than 10% of the 850 million euros pledged by billionaires, business leaders and others has been received so far, the French government said.

Saturday’s mass, which commemorates the cathedral’s consecration as a place of worship, is due to be held at 1600 GMT in a side-chapel, with attendance limited to about 30 people who will wear the protective headgear for safety reasons.

“It is a nice symbol. A very small group of people will attend and one can understand why as there are still major safety issues,” Culture Minister Franck Riester told Europe 1 radio.

He told France 2 television on Friday the cathedral was still “in a fragile state, namely the vault, which has not yet been secured. It can still collapse”.

The April 15 blaze caused the roof and spire of the architectural masterpiece to collapse, triggering a worldwide outpouring of sadness as well as the multi-million-euro pledges for reconstruction work.

Among the high-profile people who promised to donate to the rebuilding effort were luxury goods tycoons Bernard Arnault and François-Henri Pinault.

“There could be people who promised to donate then in the end did not,” Riester said, without giving further details. “But more importantly, and this is normal, the donations will be paid as restoration work progresses.”

French President Emmanuel Macron has set a target of five years for restoring the cathedral, though Riester was more cautious.

“The president was right to give a target, an ambition. But obviously what matters in the end is the quality of the work,” he said. “So it does not mean that work will be totally finished in exactly five years.”

The archbishop of Paris, Michel Aupetit will lead Saturday’s service, which will be broadcast live on a religious TV channel.

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Musicians lament reported loss of recordings in decade-old Universal fire

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LOS ANGELES (Reuters) - Several big-name musicians voiced dismay on Wednesday that some of their recordings may have been among thousands of original masters that The New York Times Magazine reported were lost in the Universal Studios Hollywood backlot fire of 2008.

FILE PHOTO: A fire truck and firefighters are seen at Gate 2 of Universal Studios as smoke rises (background) from a fire that rages out of control at the backlot filled with movie sets in Universal City, California June 1, 2008. REUTERS/Fred Prouser/File Photo

The blaze, which gutted a popular “King Kong” attraction and a swath of the studio’s fabled outdoor lot, also destroyed nearly all the master recordings stored there in a Universal Music Group archive, a loss that has long gone undisclosed, the magazine reported on Tuesday.

Universal Music estimated in a confidential 2009 report that the loss encompassed about 500,000 song titles, the article said.

In a statement on Wednesday, the company called the incident “deeply unfortunate,” but said the Times story contained “numerous inaccuracies, misleading statements, contradictions and fundamental misunderstandings of the scope of the incident.”

The extent of the loss, documented in litigation and company records the article cited, was largely kept from the public eye through a concerted effort on the part of the music label, the magazine said.

Many of the artists whose own material was reported to have been destroyed expressed shock.

“Oh my Lord ... this makes me sick to my stomach,” singer-songwriter Sheryl Crow wrote on Twitter, posted with a link to the article. “And shame on those involved in the coverup.”

The rock band R.E.M said in a Twitter statement that concerned fans were making inquiries. “We are trying to get good information to find out what happened, and the effect on the band’s music, if any,” the group tweeted.

Original sound recordings of many of the greatest names in popular music since the 1940s - from Louis Armstrong and Judy Garland to Tom Petty and 50 Cent - are believed to have gone up in smoke in what the article described as “the biggest disaster in the history of the music business.”

Master recordings are typically owned and controlled by the music labels for the artists in their catalog. But they are seen as vital to musicians’ legacy as they are original, one-of-a-kind recordings considered the truest representation of sounds captured in the studio.

Masters are the source material for all reproductions, including re-releases and remixes, made for distribution, whether on digital medium or vinyl.

Universal Music Group, now owned by French media conglomerate Vivendi, said the fire “never affected the availability of the commercially released music nor impacted artists’ compensation.”

The New York Times article “ignores the tens of thousands of back catalog recordings that we have already issued in recent years, including master-quality, high-resolution, audiophile versions of many records that the story claims were ‘destroyed,’” Universal Music said.

Irving Azoff, manager for the group Steely Dan, said in a statement that the musicians had “been aware of ‘missing’ original Steely Dan tapes for a long time now.”

“We’ve never been given a plausible explanation,” Azoff said. “Maybe they burned up in the big fire. In any case, it’s certainly a lost treasure.”

Krist Novoselic, a founding member of the 1990s grunge band Nirvana, responded to a fan on Twitter asking whether the Times article meant that the masters for the group’s landmark “Nevermind” album were gone. He wrote: “I think they are gone forever.”

Reporting by Lisa Richwine and Steve Gorman in Los Angeles; Editing by Leslie Adler

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